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MÜPA DRIVE-IN CINEMA
1 2 3
  • Photo:
    Zsófia Raffai
  • Photo:
    Marco Borggreve
classical music, opera, theatre

Figaro Here, Figaro There… - opera excerpts from Mozart and Rossini Drive-in concert cinema, in partnership with Lexus

  • 15 July 2020, Wednesday
  • 9 pm — 11 pm
  • no interval
  • Open-Air Car Park
Produced by Müpa Budapest
no interval
Open-Air Car Park

Conductor:

Gergely Madaras

Featuring:

soprano
Emőke Baráth, Beatrix Fodor, Gabriella Fodor, Orsolya Sáfár, Zita Szemere
mezzo-soprano
Gabriella Balga
tenor
István Horváth, Zoltán Megyesi
baritone
Zsolt Haja, Csaba Szegedi
bass
Gábor Bretz, Péter Kálmán, László Szvétek
harpsichord
Flóra Fábri
Hungarian State Opera Orchestra
  • Rossini: The Barber of Seville - overture
  • Rossini: Il barbiere di Siviglia - 'Ecco ridente in cielo' (Almaviva's cavatina from Act 1)
  • Rossini: Il barbiere di Siviglia - 'Largo al factotum' (Figaro's entrance from Act 1)
  • Rossini: Il barbiere di Siviglia - 'Se il mio nome saper voi bramate' (Almaviva's serenade from Act 1)
  • Rossini: Il barbiere di Siviglia - 'Una voce poco fa' (Rosina's cavatina from Act 1)
  • Rossini: Il barbiere di Siviglia - 'La calunnia è un venticello' (Don Basilio's 'calumny aria' from Act 1)
  • Rossini: Il barbiere di Siviglia - 'A un dottor della mia sorte' (Bartolo's aria from Act 1)
  • Rossini: Il barbiere di Siviglia - 'Ah! Qual colpo inaspettato' (Almaviva, Figaro and Rosina's trio from Act 2)
  • Mozart: Le nozze di Figaro, K. 492 - overture
  • Mozart: Le nozze di Figaro, K. 492 - 'Cinque… dieci… venti' (Figaro and Susanna's duet from Act 1)
  • Mozart: Le nozze di Figaro, K. 492 - 'Se vuol ballare, signor Contino' (Figaro's cavatina from Act 1)
  • Mozart: Le nozze di Figaro, K. 492 - 'Non so più cosa son, cosa faccio' (Cherubino's aria from Act 1)
  • Mozart: Le nozze di Figaro, K. 492 - 'Non più andrai' (Figaro's aria in C major from Act 1)
  • Mozart: Le nozze di Figaro, K. 492 - 'Porgi amor' (The Countess' cavatina from Act 2)
  • Mozart: Le nozze di Figaro, K. 492 - 'Voi che sapete' (Cherubino's aria from Act 2)
  • Mozart: Le nozze di Figaro, K. 492 - 'Un moto di gioia' (Susanna's arietta from Act 2), K. 579
  • Mozart: Le nozze di Figaro, K. 492 - 'Crudel perchè finora' (Almaviva and Susanna's duet from Act 3)
  • Mozart: Le nozze di Figaro, K. 492 - 'Hai già vinta la causa' (Almaviva's aria from Act 3)
  • Mozart: Le nozze di Figaro, K. 492 - 'Dove sono i bei momenti' (The Countess' aria from Act 3)
  • Mozart: Le nozze di Figaro, K. 492 - 'Sull'aria! Che soave zeffiretto' (The Countess and Susanna's 'letter duet' from Act 3)
  • Mozart: Le nozze di Figaro, K. 492 - 'Deh vieni, non tardar' (Susanna's rose aria from Act 4)
  • Mozart: Le nozze di Figaro, K. 492 - finalé from Act 2

What kind of person do you have to be to come up with an idea like the Müpa Drive-In Cinema in the time of the coronavirus? A resourceful one, like Mozart and Rossini's cunning hero Figaro, who finds a solution for every problem. This concert of highlights from the two operas features top Hungarian opera singers Emőke Baráth, Gábor Bretz and Péter Kálmán, along with many others of no little renown. Conducting the Hungarian State Opera Orchestra will be the internationally acclaimed Gergely Madaras. Figaro inside, in the theatre, and outside, in the car park.

Although it is a relatively rare phenomenon in the history of music for the same hero to appear in operas by different composers, it has happened, and more than once too. What makes this evening special is that the two operas treat two different phases of the hero's life. Mozart and Rossini did this 30 years apart from each other. The Viennese classical composer ventured forth into the barber/butler's more mature years in 1786, while the master of the bel canto related the 'prequel' in 1816. Bot...h librettos are based on works from the series of dramas of French writer Pierre-Augustin Caron de Beaumarchais. Palpable in Mozart's masterpiece are the first gusts of wind from the approaching revolution: more than one part of Le nozze di Figaro refers to social inequalities, and it also offers a singularly complex analysis of the psychological processes that drive the countess and the count. And Rossini? Il barbiere di Siviglia is an authentic comic opera: light as champagne, full of carefree laughter, it relates a story brimming with twists and turns. Excerpt from both works on the same night: a unique opportunity and splendid occasion to come face to face with two epochal masterpieces.



Presented by: Müpa Budapest

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