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1 2
classical music, opera, theatre

Korngold-Shakespeare: Much Ado About Nothing

  • 1 February 2023, Wednesday
  • 7:30 pm — 10 pm
  • one interval
  • Béla Bartók National Concert Hall
one interval
Béla Bartók National Concert Hall

Conductor:

Gábor Hollerung

Cast:

Beatrice
Andrea Menczel
Benedetto
Kristóf Poroszlay
Hero
Zsófia Bach
Claudio
Balázs Medveczky
Don Pedro
Kristóf Ódor
Don Juan
Tamás Rétfalvi
Boracchio
Tamás Bánvölgyi
Dogberry
Krisztián Gömöri
Leonato
György Szatmáry
Cornelia
Enikő Flóra Szűcs
An envoy/Sexton
András Nagy
Friar Francis
Tamás Jakab
Verges
Krisztián Károlyi
First guard
Kristóf Deák
Second guard (Tufa)
Roland Nemes
Third guard
Csaba Mátyás Nagy
Margaret
Beáta Borsos
Ursula/Waiting-gentlewoman attendant on Hero
Vanda Kovács

Featuring:

violin
Bence Gazda
piano
Apor Szüts
Budafok Dohnanyi Orchestra

Creators:

Set and costume designer
Nóra Árva
Director
Sylvie Gábor
Dramaturg
Ildikó Turcsányi
Choreographer
Réka Lilla Albert
Assistant director
Tünde Hűbér

The name Erich Wolfgang Korngold (1897-1957) is not an unfamiliar one to the BDO's audience. His incredibly rich oeuvre encompasses nearly every genre, from art songs to concertos and opera. Nevertheless, he is known to most of us as one of the greatest Hollywood composers of the era, whose genius was recognised by the film industry of the time with two Oscars.

Indeed, Korngold always thought in terms of theatre, cinema, scenes and characters. This is why we felt his works were the perfect complement to Shakespeare's opulent comedy. This performance features not only excerpts from the incidental music he composed for Much Ado About Nothing, but also ones from his Violin Concerto and other shorter works. In putting together the production, Gábor Hollerung freely selected the musical passages from the composer's extensive oeuvre that best support t...he scenes in the play. The aim was to create a performance that actually required the orchestra and the actors to interact with each other dramatically. Sometimes the orchestra "comments” on the events on stage, or "shares its opinion” about the actions and/or traits of the characters - all using the tools of music, of course. Korngold proved to be the perfect partner for this, as he liked to employ leitmotifs to portray characters, allowing him to immediately impress key traits in the audience's mind. In order to prevent the performance from running late into the night, the creative team were forced - in a slightly sacrilegious fashion - to greatly abridge Shakespeare's masterpiece, although of course without harming the play's dramaturgy. This solution allows the music more space, giving rise to almost a new kind of symphonic theatre.

Hungarian-language performance.

Partner: National Theatre of Szeged


Presented by: Budafok Dohnanyi Orchestra, Müpa Budapest

More details

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We regret to inform you that Andrea Menczel replaces Rita Rácz in this performance.

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We regret to inform you that Andrea Menczel replaces Rita Rácz in this performance.
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