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Please wait, the auditorium will be refilled soon

1
  • Photo:
    Valter Berecz
classical music, opera, theatre

Mozart, Werner, Albrechtsberger Purcell Choir and Orfeo Orchestra

  • 27 January 2020, Monday
  • 7:30 pm — 9:45 pm
  • one interval
  • Béla Bartók National Concert Hall
one interval
Béla Bartók National Concert Hall

Conductor:

György Vashegyi

Featuring:

soprano
Emőke Baráth
alto
Eszter Balogh
tenor
Zachary Wilder
bass
István Kovács
Purcell Choir, Orfeo Orchestra (on period instruments)
concertmaster
Simon Standage
  • Mozart: Sancta Maria, mater Dei, K. 273
  • Albrechtsberger: Domine, secundum actum meum (first performance since the 18th century)
  • Werner: Requiem in C minor (first performance of the 1763 piece since the 18th century)
  •  
  • Mozart: Ave verum corpus, K. 618
  • Mozart: Requiem, K. 626

In their next subscription concert, György Vashegyi and his two ensembles, the Purcell Choir and Orfeo Orchestra, will once again delight visitors with their familiar brand of musical rarities. In addition to Mozart's motet Sancta Maria and his timeless Requiem, the audience will get to hear the modern world premières of two pieces with connections to Hungary: Johann Georg Albrechtsberger's Holy Week responsory Domine, secundum actum meum and Gregor Joseph Werner's Requiem in C minor.

The composer of one of the two works originating from the enormous collection of unprocessed manuscript scores from the Esterházy collection kept at Budapest's National Széchenyi Library is Johann Georg Albrechtsberger. As a renowned organist and music teacher of his era, he worked at the Ursuline Church in Győr for two years and later went on to spend a significant part of his life in Vienna, working in the court of Emperor Joseph II and, from 1792 until his death, as the kapellmeister at Saint... Stephen's Cathedral. The concert will feature a performance of his Holy Week responsory Domine, secundum actum meum. The other infrequently played composer to be included tonight is Gregor Joseph Werner, who through the long final phase of his life served as the conductor of the Esterházy court orchestra, directly preceding Joseph Haydn in the position. Vashegyi's ensembles presented Werner's oratorio Der gute Hirt in the grand hall of the Franz Liszt Academy of Music on 8 January 2019, and this time around it will be his Requiem in C minor from 1763 that the Müpa Budapest will get to hear. Although the work is smaller in scale than Mozart's Requiem, it will serve as a worthy match to it at this concert. The work is modern in its outlook, attesting to the composer's great mastery of counterpoint. The modern scores for these two pieces receiving their modern premières were created from the original manuscripts by Purcell Choir member Ágnes Pintér.



Presented by: Sysart Kft. Orfeo Music Foundation

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The Müpa Budapest underground garage gates will be operated by an automatic number plate recognition system. Parking is free of charge for visitors with tickets to any of our paid performances on that given day. The detailed parking policy of Müpa Budapest is available here.

Refreshments – Without the Queue

Thanks to our new catering service at the Átrium Snack Bar, you can forget about waiting in line during intermissions for some refreshments and get your order prepped especially for you by the time the intermission actually starts. Find out more about pre-ordering here.

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Dear Visitors, please note that only tickets purchased from the Müpa website and official ticket offices are guaranteed to be valid. To avoid possible inconvenience, we suggest buying tickets to our performances and concerts via the mupa.hu website, the Interticket national network (jegy.hu) or at our official ticket offices.

Tickets purchased for 28 January are also valid for this concert.

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