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Please wait, the auditorium will be refilled soon

1
  • Photo:
    Andrea Felvégi
classical music, opera, theatre

Mussorgsky: Khovanshchina The opening concert of the Budapest Spring Festival

  • 5 April 2019, Friday
  • 7 pm — 10:45 pm
  • one interval
  • Béla Bartók National Concert Hall
one interval
Béla Bartók National Concert Hall

Conductor:

János Kovács
Prince Ivan Khovansky, head of the Streltsy
Evgeny Stavinsky
Andrey Khovansky, his son
Misha Didyk
Prince Vasily Golitsin
Mikhail Gubsky
Fyodor Shaklovity, boyar
Rassul Zharmagambetov
Dosifey, head of the old believers
Alexander Markeev
Marfa, young widow, old believer
Elena Maximova
Emma, young German girl
Anna Shapovalova
Scrivener
Norbert Ernst
Susanna, old maid
Éva Bátori
Kuzka, strelets
Zoltán Megyesi
1st strelets
Sándor Egri
Varsonofyev, a retainer of Golitsin / 2nd strelets
László Szvétek
Messenger
János Alagi
Streshnev, boyar
Róbert Rezsnyák

Featuring:

the Hungarian Radio Symphony Orchestra, Choir (choirmaster: Zoltán Pad) and Children's Choir (choirmaster: Soma Dinyés)
the Honvéd Male Choir (choirmaster: Kálmán Strausz)
  • Mussorgsky: Khovanshchina

Khovanshchina, Mussorgsky's second, and last completed, opera is usually presented in one of two forms: either as arranged and edited by Rimsky-Korsakov, or in Shostakovich's version, available since 1958. The Hungarian Radio Art Groups present the work in János Bojti's reconstruction, in a version faithful to the composer's original intentions.
"The ad hoc needs of opera houses led to the birth of countless versions of Khovanshchina, because the dramaturges and conductors at the theatres ...usually treated the pieces of the repertoire with considerable liberty, especially in the case of works that do not have a firm, authorized form. This was why I considered it a task of paramount importance to create a reconstructed version of Khovanshchina,” wrote János Bojti about his work, whose premiere has been long overdue.
"The keyword of this work is reconstruction. For me, the point of the mission was to record the work without any amendments, by collecting all available sources and information, in a form as close to the composer's concept as possible.”

Concert performance.


Presented by: Budapest Spring Festival

More details

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