In spite of the destruction of the world that is about to ensue, the notes ringing out from the orchestra pit at the very end of the final music drama in the Ring of the Nibelung are ones of hope, for the end holds forth the possibility of a new beginning. This is because the final sounds come from the strings playing the broad lyrical notes of the transfigurative Redemption motif. There can hardly be imagined in our time a work that conveys a more important message to humanity, as it debates the possible fate of the earth, about threats to the natural environment than Götterdämmerung does. Perhaps there is still time for us to return the ring to the Rhinemaidens.
It was a telling artistic decision on Wagner's part to have Wotan, the central figure in the story and the mover behind every development in the plot, absent from the final piece in the tetralogy. We only hear about him indirectly from Waltraute. Or is Wotan perhaps not the most important character after all, and that distinction should go instead to the disgraced and banished Valkyrie Brünnhilde? In a moral sense, she surely is. Wotan is a fallible god who violates the treaties inscribed in run...es on his spear: sacred contracts over which he himself is the custodian. The pure, noble and courageous Brünnhilde, on the other hand, is a living memento of the command "Be worthy". When she leaps onto Siegfried's funeral pyre with her steed, Grane, this is not death but rather the ecstasy of a final reunification. After having portrayed Siegfried as invulnerable, the marvellous German heldentenor Stefan Vinke will now present him as being vulnerable, and the role of Brünnhilde will once again be split at the two performances between two sopranos: the Swede Iréne Theorin and Britain's Catherine Foster. With his dark vocal cords, German singer Albert Dohmen will bring a granite-hard character to his portrayal of Hagen. The international production also features many outstanding Hungarians in the cast, for example, with Károly Szemerédy taking the Müpa Budapest stage as Gunther and Polina Pasztircsák as Gutrune and Third Norn.
Presented by: Müpa Budapest
Ticket information
You may purchase tickets online and in person for this performance using a Müpa Budapest gift voucher or by debiting the leisure allowance on OTP, K&H or MKB SZÉP cards.
If you purchase the tickets in person, then we also accept Edenred Gift Vouchers, and Edenred gift cards (Benefit and Family cards) as well as the culture subaccount allowance on OTP Cafeteria cards.
Parking information
We wish to inform you that in the event that Müpa Budapest's underground garage and outdoor car park are operating at full capacity, it is advisable to plan for increased waiting times when you arrive. In order to avoid this, we recommend that you depart for our events in time, so that you you can find the ideal parking spot quickly and smoothly and arrive for our performance in comfort. The Müpa Budapest underground garage gates will be operated by an automatic number plate recognition system. Parking is free of charge for visitors with tickets to any of our paid performances on that given day. The detailed parking policy of Müpa Budapest is available here.
Safe ticket purchase
Dear Visitors, please note that only tickets purchased from the Müpa website and official ticket offices are guaranteed to be valid. To avoid possible inconvenience, we suggest buying tickets to our performances and concerts via the mupa.hu website, the Interticket national network (jegy.hu) or at our official ticket offices.
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