When researching the history of the development of a great artist, it is always exciting to get to know the works that emerged in the period before they developed a mature style. In Wagner's ouevre, Rienzi is just such a work, one that is more mature than his early juvenilia, but not a member of the "Bayreuth Ten". It is a remarkable opus in how it unfolds in the framework of an earlier idiom - French grand opéra - and yet still foreshadows the later Wagner. This will not be the first time Müpa Budapest has presented this unique treasure from the composer's ouevre as a concert performance.
Wagner was 24 years old in 1837 when he read the novel Rienzi about the last Roman tribune by the English writer Edward George Bulwer-Lytton (1803-1873), which resulted in plans for an opera being outlined in his imagination. After completing the libretto in 1838, he set to work composing the work during the period he was working as a conductor in Riga. He intended to offer the work to the Paris Opera, which explains why the five-act Rienzi complies with the rules of French grand opéra in every ...respect. In spite of Meyerbeer's support, however, Paris showed no interest in the work, so the work was eventually first staged in Dresden in 1842, where it was a success. The music for this historically themed piece set in 14th-century Rome is rich and written with inspiration, in poetic passages. Portraying Irene in this Budapest Wagner Days concert-version production will be Sara Jakubiak, an American soprano of German and Polish descent. The role of Steffano Colonna will go to the Austrian bass Günther Groissböck, who in recent years has been enchanting audiences in the operas of Verdi, Wagner and Richard Strauss. The critic from the New York Times has praised his most recent new effort, as Baron Ochs in Die Fledermaus at the Met, in superlative terms as well. Our fellow Hungarian Dorottya Láng, who will appear as Adriano, has enjoyed significant success abroad, and taking the podium for the performance will be the excellent German opera and concert conductor Marc Albrecht.
Presented by: Müpa Budapest
Parking information
We wish to inform you that in the event that Müpa Budapest's underground garage and outdoor car park are operating at full capacity, it is advisable to plan for increased waiting times when you arrive. In order to avoid this, we recommend that you depart for our events in time, so that you you can find the ideal parking spot quickly and smoothly and arrive for our performance in comfort. The Müpa Budapest underground garage gates will be operated by an automatic number plate recognition system. Parking is free of charge for visitors with tickets to any of our paid performances on that given day. The detailed parking policy of Müpa Budapest is available here.
Refreshments – Without the Queue
Thanks to our new catering service at the Átrium Snack Bar, you can forget about waiting in line during intermissions for some refreshments and get your order prepped especially for you by the time the intermission actually starts. Find out more about pre-ordering here.
Safe ticket purchase
Dear Visitors, please note that only tickets purchased from the Müpa website and official ticket offices are guaranteed to be valid. To avoid possible inconvenience, we suggest buying tickets to our performances and concerts via the mupa.hu website, the Interticket national network (jegy.hu) or at our official ticket offices.
Accept all