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Please wait, the auditorium will be refilled soon

1
  • Photo:
    László Körtvélyesi
dance, contemporary circus

Ballet Pécs / Dubrovay: Faust, the Damned - ballet première

  • 22 April 2016, Friday
  • 7:30 pm — 10 pm
  • one interval
  • Béla Bartók National Concert Hall
Produced by Müpa Budapest
one interval
Béla Bartók National Concert Hall

Performers:

Faust
Soma Lőrinc Kerekes
Mephisto
Péter Koncz
God's Son
Zsolt Molnár
Gretchen
Katalin Ujvári
Aphrodite
Brigitta Vincze
White angels
Mónika Kócsy, Szilárd Tuboly
Black angels
Florence Madonia, Márton Szabó
Icarus
Dávid Matola
Plutus
Zsolt Molnár
Valentin, Gretchen's brother
Dávid Matola
People of the netherworld / People of the world
Bánk Téglás, Patrik Keresztes, Dávid Matola, Adél Bálint, Virág Zoé Hoffman, Theodóra Szécsi, Katalin Ujvári
Nymphs
Adél Bálint, Virág Zoé Hoffman, Theodóra Szécsi, Katalin Ujvári

Conductor:

Kálmán Záborszky

Featuring:

Zugló Philharmonia - King Saint Stephen Symphony Orchestra

Creators:

music
László Dubrovay
choreography
Balázs Vincze
set, costumes
Zsuzsa Molnár
dramaturge
Zsuzsa Molnár, Dóra Uhrik
assistant to choreographer
Zsolt Molnár

László Dubrovay finished his grand ballet more than twenty years ago. The story of Faust the Damned is based on the two parts of Goethe's masterpiece, and like that philosophical drama, the music of this piece also strives for an encyclopaedic thoroughness. "All I know about the apparatus of contemporary music is in there,” said the composer once. And indeed: the orchestra bathes in special colours, the dance scenes shape living characters, the notes turn into images on their own account, ...as it were.

Production choreographer Balázs Vincze thinks Dubrovay's vision of Faust is "monumental, its story worked out in great detail; it is astonishingly colourful, you can almost visualize the composition without the dance: the composer's personality is at least as inspiring as Faust's wanderings, loves and descent into hell.”

"Is damnation possible at the end of an honest, exemplary life? Can the forces of evil be victorious?” asks László Dubrovay. "This is the question addressed by this dance drama, whose music is one of the most extensive ballet compositions of the past seventy years. The dramaturgy of the plot allowed me to create a great many kinds of moods, and musical material rich in gestures and movements, all of which serves, together with the way dance and motion communicate, a harmonious presentation on the stage.”


Sponsored by: Hungarian Academy of Arts


Presented by: Budapest Spring Festival

More details

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Budapesti Tavaszi Fesztivál - 2016

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