Fellini's film opens with a scene where a teacher takes his students across the Rubicon River on their way to Rome. Then, in a slightly later episode, a young man sets off on the 340-kilometre journey. He is Fellini's alter ego, since, like the director, he leaves the distant north (Fellini was born in Rimini) to go south and become a Roman, in 1939, instead of 1938. Rome is nothing like the small northern town. Rome is a noisy, bustling, smelly city. What a mess! And it is changing constantly. Rome is not a slow-moving novel, but rather a web of episodes. A montage. It has a multitude of layers, like a peculiar cake. A little bit of antiquity, a little bit of modernity, a layer of history, followed by another layer, which only exists in memories. Pious and frivolous, sometimes rough, sometimes hypocritical. It is intertwined with antique culture, which inevitably ages together with the city.
Fellini is not a fast-talking cicerone, instead he is a guide from Rome, taking his tourists across the city's famous sights. He usually picks odd parts of the city in his films. He is interested in people, not in the building blocks. As if to show that for those who live in Rome, this city is a natural habitat, not a place of spectacles. A biotope. Even its motorway. When the director - playing himself - sets off to Rome on the motorway, he has already arrived. The madness of the traffic ...jam, the bizarre vehicles and their passengers already signify Rome. Just like in other Fellini movies, where the Rome of prefabricated buildings and the housing estates around Cinecitta are the city itself. This movie, however, is slightly different. The closing scene shows a motorcycle gang taking us through Rome. (Slightly different to the frantic scooter scene in Roman Holiday.) Castel Sant'Angelo, Piazza Navona, the Spanish Steps, the Colosseum... the motorcycle gang roaring through the sights of Rome - through empty streets. There are no human voices, no music. Motorcycle headlights illuminating the night-time city's stone-clad mementos before speeding away.
In Italian, with Hungarian subtitles.
The discussions before and after the screening will be conducted in Hungarian.
Presented by: Müpa Budapest
You may purchase tickets online and in person for this performance using a Müpa Budapest gift voucher or by OTP, K&H or MBH SZÉP cards. If you purchase the tickets in person, then we also accept Edenred Gift Vouchers, and Edenred gift cards (Benefit and Family cards) as well as the culture subaccount allowance on OTP Cafeteria cards.
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