This is the final film in our The Magical World of Federico Fellini series. If only because anyone who hasn't seen at least one or two Fellini films will struggle to understand Interview's countless references. On the surface, it feels like you are watching a respectful television portrait film, which according to the story is being shot by a Japanese television company. Except that there is no hint of the Japanese in the title, and the broadcaster of the production is Rai Uno, Italy's number one public TV channel. And how is it that the Maestro is directing a portrait film about himself? Suspicious.
More than suspicious... But if we have learned anything from the other films presented in this series, it is that we should not take Fellini at his word. He is an irrepressible prankster. His films often cite 'quoted works', invented up by Fellini himself. Feature films that never existed, news reports that bear no relation to real events, fake documentaries and adverts for made-up products. Photographers, filmmakers and TV staff regularly appear on the screen. What are they recording? Wha...t they want to be seen. And why should would these be truthful documentaries, instead of honourable fiction? Yet what distinguishes Fellini's pranks from the slew of fake news and trick videos we see today? Firstly, the fact that each time, Federico Fellini is exposing himself. But also because the surreal moments that appear on the big screen, the monitor, take their undoubted importance from the way that Fellini's characters react to them. (A gigantic Christmas knuckle of ham dangles at the train station until Pippo - at the end of the film - decides it's high time he took a bite.) The whole world is desperate to catch a star, a prominent personage, a celebrity on film. And if that is what our esteemed audience members desire, that is what they shall receive. As for where Fellini stands in these situations - in front of or behind the camera - the answer is simple. In neither one place nor the other. Rather, he sits alongside us, in the stalls of the variety show, the cinema auditorium, in front of the screen. He is with us. He belongs with us.
In Italian, with Hungarian subtitles.
The discussions before and after the screening are conducted in Hungarian.
Presented by: Müpa Budapest
Ticket information
You may purchase tickets online and in person for this performance using a Müpa Budapest gift voucher or by debiting the leisure allowance on OTP, K&H or MKB SZÉP cards.
If you purchase the tickets in person, then we also accept Edenred Gift Vouchers, and Edenred gift cards (Benefit and Family cards) as well as the culture subaccount allowance on OTP Cafeteria cards.
Parking information
We wish to inform you that in the event that Müpa Budapest's underground garage and outdoor car park are operating at full capacity, it is advisable to plan for increased waiting times when you arrive. In order to avoid this, we recommend that you depart for our events in time, so that you you can find the ideal parking spot quickly and smoothly and arrive for our performance in comfort. The Müpa Budapest underground garage gates will be operated by an automatic number plate recognition system. Parking is free of charge for visitors with tickets to any of our paid performances on that given day. The detailed parking policy of Müpa Budapest is available here.
Safe ticket purchase
Dear Visitors, please note that only tickets purchased from the Müpa website and official ticket offices are guaranteed to be valid. To avoid possible inconvenience, we suggest buying tickets to our performances and concerts via the mupa.hu website, the Interticket national network (jegy.hu) or at our official ticket offices.
Accept all